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      Cover image for Moral Perfectionism, Infinite Responsibility, and the Ethical in Critical Race Theory
      1. 
      Cover image for The Black God Trope: Toward a History of Black Nationalist Religious Rhetoric
      2. 
      The Black God Trope: Toward a History of Black Nationalist Religious Rhetoric
      by 
      Collins, Armondo, author.
      http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10751289
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      Excerpt: 
      -Americans' shifting subjectivity within the American experience. Offering examples from Ethiopianism to rap music, I
      Cover image for Beyond Mourning: Afro-pessimism in Contemporary African American Fiction
      3. 
      Beyond Mourning: Afro-pessimism in Contemporary African American Fiction
      by 
      Huggins, Kathryn A., author.
      http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10811274
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      . These texts demand a future for black subjectivity in which black life is not constructed by its
      Cover image for Towards Self-defined Expressions of Black Anger in Claudia Rankine's Citizen and Percival Everett's Erasure
      4. 
      Cover image for My Song in Bolder Notes Arise: The African American Long Poem Tradition
      5. 
      My Song in Bolder Notes Arise: The African American Long Poem Tradition
      by 
      Watson, Keisha, author.
      http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10830619
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      and black subjectivity. Exile begins with capture and the Middle Passage; its rhythms reverberate
      Cover image for Queer Orientations: Desire, Race and Belonging in Queer American Literature, 1900-1940
      6. 
      Queer Orientations: Desire, Race and Belonging in Queer American Literature, 1900-1940
      by 
      Newman, Eric Hosbach, author.
      http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10825706
      Format: 
      Excerpt: 
      subjectivity. By putting black and white writers in dialogue--- Claude McKay and Willa Cather, Richard Bruce