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      Cover image for Integrating the Postmodern Avant-Garde: Art Music(s) at the Intersection of Improvisation
      1. 
      Cover image for Upon This Rock: American Evangelical Spirituality and Jesus Music, 1969-1976
      2. 
      Upon This Rock: American Evangelical Spirituality and Jesus Music, 1969-1976
      by 
      Kinney, Kathryn, author. (orcid)0000-0001-8115-7875
      http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:13862077
      Format: 
      Excerpt: 
      Upon This Rock: American Evangelical Spirituality and Jesus Music, 1969-1976 / Kinney, Kathryn
      Cover image for Steel Stories: Remembering Steel Guitar Players from Los Angeles' Country Music History
      3. 
      Cover image for Performing "Hurt": Aging, Disability, and Popular Music as Mediated Product and Lived-Experience in Johnny Cash's Final Recordings
      4. 
      Cover image for Cowboy Art Song: A Contextual and Musical Analysis of Libby Larsen's "Cowboy Songs"
      5. 
      Cowboy Art Song: A Contextual and Musical Analysis of Libby Larsen's "Cowboy Songs"
      by 
      Richardson, Ann Gabrielle, author. (orcid)0000-0003-3129-7460
      http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10787942
      Format: 
      Excerpt: 
      The University of Southern Mississippi. Music. degree granting institution.
      Cover image for Down Under Punks and Dixie Rock: Reflections on Making the Documentary Film Chinese Whispers-Southern Roots in the Australian Swampy Sound
      6. 
      Cover image for The Sound of Ethnic America: Prewar "Foreign-language" Recordings & the Sonics of US Citizenship
      7. 
      Cover image for See What I Wanna See: Michael John Lachiusa and the Emergence of the New Musical Drama
      8. 
      Cover image for Adapting the Juice: Performances of Legal Authority through Representations of the O.J. Simpson Trial
      9. 
      Adapting the Juice: Performances of Legal Authority through Representations of the O.J. Simpson Trial
      by 
      Ellison, Aubry Ann, author. (orcid)0000-0002-0861-8046
      http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10793795
      Format: 
      Excerpt: 
      how legal performance interacts with the works' respective genres: music video, documentary, and
      Cover image for Artists and Activism: Black Voices of Resistance and the Cultural Boycott of South Africa
      10. 
      Artists and Activism: Black Voices of Resistance and the Cultural Boycott of South Africa
      by 
      Freeman, Jonathan R., author.
      http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10792890
      Format: 
      Excerpt: 
      unrest, this study focuses on the political utilization of music and performance as a form of counter
      Cover image for Craft Beer, Vintage Gear, and Shakespeare: A Study of the Postmodern Hipster, the New York Shakespeare Exchange, and the Creation of Cultural Capital in the Twenty-First Century
      11. 
      Cover image for The Protest Song: Bridge Leadership, Sonic Innovation, and the Long Civil Rights Movement
      12.