Arama Sonu&ccedil;lar&#305; - Daralt&#305;lm&#305;&#351;: 2018 - University of Kansas. Music. degree granting institution. SirsiDynix Enterprise http://katalog.baskent.edu.tr/client/tr_TR/defaulttr/defaulttr/qf$003dPUBDATE$002509Yay$0025C4$0025B1n$002bY$0025C4$0025B1l$0025C4$0025B1$0025092018$0025092018$0026qf$003dAUTHOR$002509Yazar$002509University$002bof$002bKansas.$002bMusic.$002bdegree$002bgranting$002binstitution.$002509University$002bof$002bKansas.$002bMusic.$002bdegree$002bgranting$002binstitution.$0026ps$003d300? 2024-06-01T02:35:06Z The Vaughan Williams Tuba Concerto: Its Inception, and Influence on Selected Twentieth Century Works for the Tuba by British Composers ent://SD_ILS/0/SD_ILS:678287 2024-06-01T02:35:06Z 2024-06-01T02:35:06Z by&#160;Taylor, Alexander, author. (orcid)0000-0001-5034-5726<br/><a href="http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10745553">http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10745553</a><br/>Format:&#160;Kitap<br/> A Combination of Japanese Traditional Aesthetics and Western Music: Toru Takemitsu's Rain Tree Sketch and Rain Tree Sketch II ent://SD_ILS/0/SD_ILS:678307 2024-06-01T02:35:06Z 2024-06-01T02:35:06Z by&#160;Lee, Ji Hye, author.<br/><a href="http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10745914">http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10745914</a><br/>Format:&#160;Kitap<br/> Physical and Musical Techniques for the Expressive Marimbist ent://SD_ILS/0/SD_ILS:678308 2024-06-01T02:35:06Z 2024-06-01T02:35:06Z by&#160;Jackson, Tai Jung Tsai, author.<br/><a href="http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10745915">http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10745915</a><br/>Format:&#160;Kitap<br/> From Pre-recorded Tape to Live Computer Processing: Piano Music from Davidovsky to the Present Day ent://SD_ILS/0/SD_ILS:678311 2024-06-01T02:35:06Z 2024-06-01T02:35:06Z by&#160;Feng, Dairuo, author.<br/><a href="http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10745957">http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10745957</a><br/>Format:&#160;Kitap<br/> STOMP by John Corigliano: A Wind Band Transcription ent://SD_ILS/0/SD_ILS:678589 2024-06-01T02:35:06Z 2024-06-01T02:35:06Z by&#160;Humfeld, Brooke E., author.<br/><a href="http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10749413">http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10749413</a><br/>Format:&#160;Kitap<br/> Righteousness and Peace: A Cantata of Reconciliation ent://SD_ILS/0/SD_ILS:680146 2024-06-01T02:35:06Z 2024-06-01T02:35:06Z by&#160;Wilcken, Geoffrey Andrew, author.<br/><a href="http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10792943">http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10792943</a><br/>Format:&#160;Kitap<br/> The Art of Systematic Teaching and Professional Development in Contemporary Piano Learning: An Analysis of the U.S. Music Certification Exams and Their Pedagogical Purposes ent://SD_ILS/0/SD_ILS:680194 2024-06-01T02:35:06Z 2024-06-01T02:35:06Z by&#160;Fu, Teng, author. (orcid)0000-0002-5238-6780<br/><a href="http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10793431">http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10793431</a><br/>Format:&#160;Kitap<br/> Interactive Concert Programs Software for Enhancing Live Performances ent://SD_ILS/0/SD_ILS:682911 2024-06-01T02:35:06Z 2024-06-01T02:35:06Z by&#160;Cipriano, Raffaele, author.<br/><a href="http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10829397">http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10829397</a><br/>Format:&#160;Kitap<br/> Creating an Aural History: The Detroit Concert Band's Sousa American Bicentennial Collection ent://SD_ILS/0/SD_ILS:680614 2024-06-01T02:35:06Z 2024-06-01T02:35:06Z by&#160;Messina, Anthony Michael, author.<br/><a href="http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10810567">http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10810567</a><br/>Format:&#160;Kitap<br/> The Best of Both Worlds: The Art of Selecting New York and Hamburg Steinway Pianos Based on Repertoire ent://SD_ILS/0/SD_ILS:680882 2024-06-01T02:35:06Z 2024-06-01T02:35:06Z by&#160;Sugano, Yuta, author.<br/><a href="http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10812686">http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10812686</a><br/>Format:&#160;Kitap<br/> Mid-twentieth Century American Opera and the Rise of the Unconventional Leading Mezzo-Soprano ent://SD_ILS/0/SD_ILS:681003 2024-06-01T02:35:06Z 2024-06-01T02:35:06Z by&#160;Phillips, Mackenzie, author.<br/><a href="http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10813568">http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10813568</a><br/>Format:&#160;Kitap<br/> A Composite Theory of Transformations and Narrativity for the Music of Danny Elfman in the Films of Tim Burton ent://SD_ILS/0/SD_ILS:681375 2024-06-01T02:35:06Z 2024-06-01T02:35:06Z by&#160;Powell, Andrew S., author.<br/><a href="http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10816490">http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10816490</a><br/>Format:&#160;Kitap<br/> Three Approaches to Transcription, and Two New Transcriptions for Trumpet and Piano ent://SD_ILS/0/SD_ILS:681312 2024-06-01T02:35:06Z 2024-06-01T02:35:06Z by&#160;Warbis, Robert Trent, author. (orcid)0000-0001-7889-9704<br/><a href="http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10815950">http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10815950</a><br/>Format:&#160;Kitap<br/> Singing and the Trombone: Transcriptions of Selected Vocal Works by Monteverdi, Schubert, Schumann, Wolf, and Britten ent://SD_ILS/0/SD_ILS:681404 2024-06-01T02:35:06Z 2024-06-01T02:35:06Z by&#160;Sweeney, Mark E., author.<br/><a href="http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10816691">http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10816691</a><br/>Format:&#160;Kitap<br/> The Key Characteristics of Franz Liszt's Late Piano Works ent://SD_ILS/0/SD_ILS:681448 2024-06-01T02:35:06Z 2024-06-01T02:35:06Z by&#160;Li, Mei, author.<br/><a href="http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10816973">http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10816973</a><br/>Format:&#160;Kitap<br/> Contemporary Solo Works in the Modern Flute Competition: Performance Analyses of Aho's Solo III, Hurel's Loops I, and Ichiyanagi's In a Living Memory ent://SD_ILS/0/SD_ILS:681461 2024-06-01T02:35:06Z 2024-06-01T02:35:06Z by&#160;Allred, Brian, author. (orcid)0000-0001-5054-0847<br/><a href="http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10817055">http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10817055</a><br/>Format:&#160;Kitap<br/> Seymour Fink's Mastering Piano Technique: Understanding Basic Technical Movements ent://SD_ILS/0/SD_ILS:681467 2024-06-01T02:35:06Z 2024-06-01T02:35:06Z by&#160;Kim, Seonghyang, author.<br/><a href="http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10817079">http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10817079</a><br/>Format:&#160;Kitap<br/> Chamber Music in the Early Twentieth Century: Features of Aram Khachaturian's Trio for Clarinet, Violin, and Piano in G Minor and Bela Bartok's Contrasts for Violin, Clarinet, and Piano ent://SD_ILS/0/SD_ILS:681498 2024-06-01T02:35:06Z 2024-06-01T02:35:06Z by&#160;Wang, Man, author. (orcid)0000-0002-6921-7692<br/><a href="http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10817300">http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10817300</a><br/>Format:&#160;Kitap<br/> The Artist Teaching of Alexander Goldenweiser: Fingers in Service to Music ent://SD_ILS/0/SD_ILS:681740 2024-06-01T02:35:06Z 2024-06-01T02:35:06Z by&#160;Xue, Junwei, author.<br/><a href="http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10822078">http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10822078</a><br/>Format:&#160;Kitap<br/> Richard Wagner's &quot;Wesendonck Lieder&quot; The Perfect Synthesis Between the Master and His Muse ent://SD_ILS/0/SD_ILS:681762 2024-06-01T02:35:06Z 2024-06-01T02:35:06Z by&#160;Baldwin, Heather J., author. (orcid)0000-0001-5495-0536<br/><a href="http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10822320">http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10822320</a><br/>Format:&#160;Kitap<br/> The Percussive Character and the Lyrical Quality in Bartok's Piano Music ent://SD_ILS/0/SD_ILS:681710 2024-06-01T02:35:06Z 2024-06-01T02:35:06Z by&#160;Lin, Chieh-An, author.<br/><a href="http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10821846">http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10821846</a><br/>Format:&#160;Kitap<br/> Integrating the Postmodern Avant-Garde: Art Music(s) at the Intersection of Improvisation ent://SD_ILS/0/SD_ILS:682006 2024-06-01T02:35:06Z 2024-06-01T02:35:06Z by&#160;Fullerton, Kevin Todd, author.<br/><a href="http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10823762">http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10823762</a><br/>Format:&#160;Kitap<br/> A Stylistic Comparison of French Agrements in the Works of Marin Marais, Michel de La Barre, and Jacques Hotteterre ent://SD_ILS/0/SD_ILS:682294 2024-06-01T02:35:06Z 2024-06-01T02:35:06Z by&#160;Dexter, Anesha, author.<br/><a href="http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10825084">http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10825084</a><br/>Format:&#160;Kitap<br/> The Organ Works of Moritz Brosig: Contributions of a German Catholic Composer in the Romantic Era ent://SD_ILS/0/SD_ILS:682489 2024-06-01T02:35:06Z 2024-06-01T02:35:06Z by&#160;Andrews, Thomas, author. (orcid)0000-0001-6425-9677<br/><a href="http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10826062">http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:10826062</a><br/>Format:&#160;Kitap<br/>