From Improvisation to Artistry: A Study of The Piano's 12 Sides by Carter Pann

Avatars of the Work Ethic: The Figure of the Classical Musician in Discourses of Work

Visual Fixation Patterns of Undergraduate Brass and Woodwind Musicians on a Conductor while Playing an Instrument and Reading Music

A Turkish Musical Insider Case Study: Liturgy, Self-Identity and Spiritual Formation

The Relationship between Musical Aptitude and Reading and Mathematics Achievement

Nikolai Rimsky-Korsakov the Antiquarian: The Narrativity of Diegetic Song in the Opera Sadko

Transcribing Astor Piazzolla's Works to Maximize Stylistic Fidelity: An Examination of Three Saxophone Quartets with a New Transcription

Incorporating a Pedagogy of Worship in the Community Group Ministry of Grace Bible Church

Framing Listening Experiences in Selected Works of Corelli

Between Concept and Perception: Cognition, Experience, and Form in Spectral Music

From Screen to Concert Hall: Solo and Chamber Works for Horn A Full-Length Recording of the Concert Works of Film Composers and History of the Horn in Film Scores

The Choral Negro Spiritual Arrangements and Compositions of Hall Johnson Performed in The Green Pastures

See What I Wanna See: Michael John Lachiusa and the Emergence of the New Musical Drama

Globalization, Nationalism and Cultural Translation in Bulgarian Folk Singing

To Listen on Indigenous Land: Method, Context, Crisis

Women Music Producers: Sonic Innovation from the Periphery of a Male-Dominated Industry

Cello Works for Saxophone: A Transcription Experiment from Mozart to Mahler

Membership vs. Being of the Community: A Qualitative Study of the Go-Go Music-Cultural Community

STOMP by John Corigliano: A Wind Band Transcription

Personified Preaching: Black Feminist Sermonic Practice in Literature and Music

The Making of a Nationally Recognized Band in a Small, Private Liberal Arts University: The Historical Significance of the Bobby L. Adams Years, 1987-2012

Collective Time: Exploring Interaction in Music that Swings

An Introduction to an Operetta: Pauline Viardot's Le Dernier Sorcier for the Young Opera Studio

Voodoo and Slave Culture in Frederick Delius' Koanga

"When I Put on My Firespitter Mask": Jayne Cortez's (R)Evolutionary Musical Poetic Collaborations

Writing Music and Its Role in a Conductor's Training as a Performer

The Archer's Guide to Viola Playing

Vocal Writing for Solo Soprano Voices in Oratorios by Antonio Salieri

Cowboy Art Song: A Contextual and Musical Analysis of Libby Larsen's "Cowboy Songs"

An Examination of Historical, Pedagogical, and Performance Aspects of the Cimbasso in Standard and Modern Literature

"We Shall Remain Faithful": The Village Mode in Czech Opera, 1866-1928

Applying an Effective Practice Framework to Create a Lesson Syllabus for Undergraduate Jazz Trombone Students

Analytical Studies of Selected Cantatas by J.S. Bach

Concerto for Piano and Orchestra

Bright Bass Timbres in the "Dark Age" of Jazz: Eddie Gomez, Three Quartets, Transgression, and Transcendence

Polishing Gems: A Supplemental Curriculum for Developing the Musical Literacy and Musical Expression Skills of Junior High Flute Students

Righteousness and Peace: A Cantata of Reconciliation

Form and Forms in Wagner's Die Walkure = Form und Formen in Wagners "Walküre"

The Art of Systematic Teaching and Professional Development in Contemporary Piano Learning: An Analysis of the U.S. Music Certification Exams and Their Pedagogical Purposes

A Method for Versatility and Flexibility for the Low Reed Specialist

A Pedagogical Exploration of Selected Art Songs by Franz Schubert Transcribed for Bassoon

Chamber Music for Trumpet Recitals

The Vaughan Williams Tuba Concerto: Its Inception, and Influence on Selected Twentieth Century Works for the Tuba by British Composers

A Combination of Japanese Traditional Aesthetics and Western Music: Toru Takemitsu's Rain Tree Sketch and Rain Tree Sketch II

From Pre-recorded Tape to Live Computer Processing: Piano Music from Davidovsky to the Present Day

General Business Musicians: An Investigation of Initial Band Formation

Lingua Franca: The Use of Labanotation in the Gestural-Based Compositions of Wayne Siegel, Mark Applebaum, and Casey Cangelosi

A Handbook to Bridge the Technical Demand from the Concerto in G Major for Viola and Strings by Georg Philipp Telemann to the Viola Concerto in D Major, Op. 1 by Carl Stamitz

Ministry through Musical Performance: Establishing Biblical, Historical, and Pedagogical (Educational) Precedent for the Christian Performing Artist

The Best of Both Worlds: The Art of Selecting New York and Hamburg Steinway Pianos Based on Repertoire

Practitioner and Prophet: An Analysis of Sonny Stitt's Music and Relationship to Charlie Parker

A Performance Guide and Recordings for Four New Works Featuring Improvisation for Soprano Saxophone and Various Instruments

A Study of Two Selected Chamber Works for Piano and Violin by Bright Sheng A Night at the Chinese Opera and Three Fantasies

Developing Popular Music Programs in Higher Education: Exploring Possibilities

A Jazz Pianist's Guide to Developing Rhythmic Independence through the Adaptation of Afro-Cuban Rhythms

Memorization: Survey and Application with Special Emphasis on the Left Hand

At the Edge of Hope A Cantata for the Everyday Colombian = Al borde de la esperanza, una cantata para el colombiano común

Analysis of Current Electric Pickup Technology Utilized in Clarinet Performance and Investigation into Potential Improvements

Mid-twentieth Century American Opera and the Rise of the Unconventional Leading Mezzo-Soprano

Pedagogical Efficacy in the Singing Voice Studio: Working with Self-Assessed "Tone Deafness"

Grooves in the Landscape: Vanished and Persistent Record Stores in the Postindustrial City

Moving Music: Theory and Practice in Early Modern English Drama and Poetry

Data-Driven Fundamental Frequency Estimation

Three Approaches to Transcription, and Two New Transcriptions for Trumpet and Piano

Contextualizing Worship and Music in a Multicultural Church: A Case Study at Christ Fellowship Miami

Singing and the Trombone: Transcriptions of Selected Vocal Works by Monteverdi, Schubert, Schumann, Wolf, and Britten

The Key Characteristics of Franz Liszt's Late Piano Works

Contemporary Solo Works in the Modern Flute Competition: Performance Analyses of Aho's Solo III, Hurel's Loops I, and Ichiyanagi's In a Living Memory

Seymour Fink's Mastering Piano Technique: Understanding Basic Technical Movements

Chamber Music in the Early Twentieth Century: Features of Aram Khachaturian's Trio for Clarinet, Violin, and Piano in G Minor and Bela Bartok's Contrasts for Violin, Clarinet, and Piano

The Percussive Character and the Lyrical Quality in Bartok's Piano Music

The Artist Teaching of Alexander Goldenweiser: Fingers in Service to Music

Richard Wagner's "Wesendonck Lieder" The Perfect Synthesis Between the Master and His Muse

A Stylistic Comparison of French Agrements in the Works of Marin Marais, Michel de La Barre, and Jacques Hotteterre

Music Technology and the Conservatory Curriculum

Articulations in the Caribbean Diaspora: London's Carnival Arts Scene and the Cultural Politics of Space, Place, and Value

Back of the Orchestra: High School Students' Experiences with Alternative Seating Practices

Yoko Ono's Experimental Vocality as Matrixial Borderspace: Theorizing Yoko Ono's Extended Vocal Technique and her Contributions to the Development of Underground and Popular Vocal Repertoires, 1968 - Present

Irish Traditional Music and the Great Recession: Living and Working in the Irish Arts Sector after 2008

Invisible Terrains: Experiences of Nomadic Music Teaching Artists

The Improviser and the Improvised: The Relationship Between Neural and Musical Structures, and the Role of Improvisation

The Organ Works of Moritz Brosig: Contributions of a German Catholic Composer in the Romantic Era

"We Made It Through That Water": Rhythm, Dance, and Resistance in the New Orleans Second Line

Legitimate Voices: A Multi-Case Study of Trans and Non-Binary Singers in the Applied Voice Studio

Individual Ability to Learn a Parallel Processing Technique and Musical Aptitude

An Exploration of the Ravel Sonata No.1 for Violin and Piano in A Minor "Posthumous"

Music Artists' Strategies to Generate Revenue through Technology

Interactive Concert Programs Software for Enhancing Live Performances

Rage, lament, and prayer: Arias for baritone and bass-baritone from selected oratorios by George Frideric Handel and Felix Mendelssohn

Sing our songs: I-to Loh's contextualization of music and worship compared with the Ethnodoxology movement

Luther's Deutsche Messe as resource and stimulus for Lutheran liturgical worship in the twenty-first century

Creative Musician: An Artistic Method to Aid the Expressivity of Musicians

Pilot study: Does nutrition affect the musical performance experiences of professional pianists?

Piatti and the Body: An Integrative Approach to Learning and Performing the 12 Caprices, Op. 25

Conrad Susa's Transformations: A Listener's Guide to the World Premiere Recording

Music, Migration, Identities: Interviews with Contemporary Expatriate Colombian Composers

Stylistic Correspondences between Nino Rota's Filmic and Non-Filmic Music

Addiction's Actuality for Trombone, Piano, and Pre-recorded Sounds: Commission, Analysis, and Recording

Character First, Ability Second: Character Development through Suzuki-Inspired Pedagogy

Myroslav Skoryk: Solo piano works

Becquer Anthology: A Collection of Songs by Spanish Composers Based on Poems by Gustavo Adolfo Becquer

An Estonian School of Trumpet Playing: Nikolai Kubli's "Daily Drill for Building a Proper Embouchure on Trumpet and Cornet"

Symphony No. 1 Arc of the Rainbow

Maximizing Intelligibility of English Language Text Setting and Heaven's Gate

X Section and Ethos in Sonata Forms by Haydn, Mozart, and Early Beethoven

Silence in the Music of John Cage, Toru Takemitsu and Salvatore Sciarrino

Construction of Female Gender Identities in John Adams's Opera Nixon in China

Down Under Punks and Dixie Rock: Reflections on Making the Documentary Film Chinese Whispers-Southern Roots in the Australian Swampy Sound

The Legacy and Influences of Isang Yun's Musical Aesthetics

Unusual Soundscapes: Chamber Ensembles of the Twentieth Century and beyond Involving the Collaborative Pianist

Half of Humanity has Something to Say, Also: Works for Violin by Women Composers

Their Own Agenda: The History, Development, and Culture of Women's Orchestras Outside the United States

A Theoretical and Stylistic Analysis of Paul Ben-Haim's Five Pieces for Piano, Op. 34 and Piano Sonata, Op. 49

Analytical, Interpretative, and Performance Guides for Conductors and Soloists to John Mackey's Harvest: Concerto for Trombone, Drum Music: Concerto for Percussion, and Antique Violences: Concerto for Trumpet

Serial Techniques in Works for Unaccompanied Trumpet

A Performance Guide and Comparison of Three Twentieth-Century Azerbaijani Flute Compositions Composed by Fikret Amirov, Arif Melikov, and Tofiq Bakihanov

Tenor Arias by Gaetano Donizetti, Giacomo Puccini and Giuseppe Verdi: Transcriptions for Euphonium and Piano

An Introductory Pedagogy of Gospel Music for the Choral Conductor

Musicianship for Musical Theatre: A New Instructional Resource for the Musical Theatre Student Studying Music Theory

A Conductor's Analysis and Performance Guide for John Mackey's Songs from the End of the World (2015)

"Going Viral": Contagious Agency through Learned Helpfulness in a Choral Ensemble

An Analysis of Overtone Production Techniques in Saxophone Teaching Methods

A Comparative Study of the Songs of William Denis Browne

Keep Me from Sinking Down: A Thematic Catalog of the Violin Works by Samuel Coleridge-Taylor